Monday 6 December 2010

Morton Forest




Click on photograph for bigger version!

Earlier on this year I got lost in this forest by choosing to venture "off-road" in the attempt to cut the duration of a dog walk. I was getting bored and it was almost pitch black. I fell over many branches and holes in doing so. After one of my stumbles I looked behind me and even though it was almost dark when I saw it, I knew at the right time of day this view would be worth a shot.

Last weekend I scrambled back to this spot. The low winter sun crept below the high-growing branches of Morton Forest, back-lighting the wilting bracken that dominates the forest floor. The brown wilting bracken is given new life as the sun's rays transform the dull brown into a rich golden hue. The incoming light filtered its way through the trees, diminishing every inch as strives deeper into the forest.

Usually I arrive at a location for sunrise or sunset but because the sun is so low in the sky in December the light is pretty good for almost the entire day. I arrived here at 2pm and fine tuned my composition so that the foreground trees framed the image and there wasn't a tree right down the middle of the frame.

Next...The sun-star.

Sun-stars are quite difficult to get right. You need to fine-tune your position so that the sun is partially obscured by an object so you get a small flare of light coming into the lens. If you have too much light coming in there will be coloured specks all over the screen, too little and the sun-star loses its dramatic effect. After moving the tripod many times within the bracken I finally found the sun-star needed to make this shot work.

When taking the shot I had to hold my breath as it steamed up my lenses and filters clouding the shot. This is 5 shots stitched together, each 10 seconds long. I didn't want to wait in between shots because if the sun moves slightly my sun-star will change so I opted to hold my breath through all exposures until the last one had finished. The shots were done and I was knackered.


Sunday 5 December 2010

Equestrian Photography

My knowledge of horses is frankly... embarrassing. However, learning... I am.

Next year I am hoping to cover equestrian photography in a reportage style much like my wedding photography. Yesterday was my first experience in this genre of photography, and frankly the lack of knowledge was rock bottom.

What position does the horse look its best when it is jumping?
What kind of shots would you like of your horse?
What makes a good picture and what makes a bad picture?
What is the routine before an event?

All these questions, however simple they are, need to be answered. Any photographer will tell you how important it is to know the subject you are shooting, whether it is landscape photography, wildlife photography, wedding photography or sport photography you need to be able to predict what is going to happen before it does.

This is why I asked Annabel if I could take some photos of her practicing with her horse, in hope of finding the answers to some of these questions.

When I set-up this side of my business I am hoping to cover an individual client through their day of eventing, starting from the "prepping of the horse",through to the event itself with "jumping shots"...(haven't quite got the lingo!). I will then provide the client with a personalised luxury album. I wanted a more personal approach than receiving one photograph of a client clearing a jump at an event. This way the whole story is told plus some great informal images of the client and their horse.

I am still in the very early stages of this side of my business however I thought I would post this in case any of you are interested in the idea.


I arrived and met Annabel at 7:20am. For those of you who like bed, at this time of year the sun doesn't rise until around 8 o'clock. I had very little light to work with and what light there was was the steely blue light of early dawn.


I saw this circular window of the stable with the horse eating its hay inside. The blue light of twilight contrasted with the warm light of the artificial lighting in the stable.




Annabel brought 6 horses to be exercised, when they were being saddled up I took some reportage type images as you see here.

When told that Annabel was going to a school with her horse, images of multi-coloured Biros, blotting paper and protractors immediately came to mind. The extent of my horse lingo is again embarrassing and is the reason why I need to learn A LOT before proceeding into this side of the business.

However when faced with the "school" it turned out to be a empty warehouse with close to no lighting at all. A room that would make a photographer begin to cry inside. However I had little pressure as this was just for practice I tried a few techniques to see what would work. In order to capture the action, I tried slow-shutter speeds by panning: Blurring the background but keeping the subject relatively sharp to project speed


And Flash to freeze the subject.


I had a great time, I got some fun photos but with more practice hopefully I will reach the standard I am happy with, then I will start up this new side of my business that I am very excited about.

If anyone would like me to take some photos of them and their horses please give me a ring, I would love to come over and practice....free of charge of course!

Thanks Annabel!